- 7300 for the Jezebel's Ladder hard sci-fi series.
- 4100 for the Doors to Eternity epic fantasy series.
- 400 for the Ryoku series and spinoff in the contemporary/urban magic world.
- 200 for the other five books I wrote combined.
Since I just finished the last book if the Jezebel series (Senescence), I'm planning a big event for the release in early October, but I'm treading water while I wait for editing feedback. This is a good time for reflection.What did I learn in the last three years, and how will it change me as a writer going forward?
- A good series is your bread and butter. I have no idea what book I will write next, but I should plan for a series. They sell 10 to 14 times what a standalone does. I already have an idea for a Jez spinoff set on the moon. The self-aware computer expanding over the entire lunar surface is likely to be a major backdrop. Over my upcoming vacation, I'll write up some notes and see where it leads.
- If I research what I'm passionate about, I'll find something there to write about. Writers make connections in the weirdest places. Learning keeps my brain active and the subject matter alive/realistic. I've written on everything from djinn to space colonies, and it's all fun.
- Stick with your target audience. If they don't want something, people get mean, even when it's free. When Jez was number 4 on the free sci-fi list, a lot of people took a chance and downloaded a copy without reading the blurb. Those people weren't my audience or demographic. As a consequence, I got three scathing reviews that week that took months to recover from. On a related note, always watch your tags. Someone with a financial interest added a false BDSM tag to take readers to the top twenty books in that category. One reviewer got a little peeved when my book didn't deliver in that department. Even stranger, after months on the top one hundred sci-fi, Amazon ate Jez's sci-fi category on a routine pitch update. The problem took months for a friend to spot, and the book never achieved its former rank on the chart.
- My style changes over time. This is a good thing. It's much easier now for me to strike a note and carry it through a scene. Each time I attempt something more difficult or pick a new editor, I learn more about the craft. A year after I release each book, I go back and polish in order to incorporate what I've learned since. I always like the characters and flow, but I am sometimes embarrassed by word repetition, dialog tags, or some other small mechanics item. Lately, I think that I may be growing more as an editor than as a writer.
- Every new book is like betting on a horse race. As a writer, I never know what will sell. My YA books haven't sold squat, despite the fact that my kids loved them. LE Modesitt warned me not to try to be all things to all people, but I wanted to share an adventure with my son, Pierce. I still have a decent hit ratio. My highest rated book ever (4.8/5) and the one that has garnered some of my most loyal and vocal fans is "Foundation for the Lost." However, it just doesn't sell. After devoting time to this issue, I have decided that first, the book belongs in Urban not Epic fantasy. Further, the cover, which brings most people into the parlor to shop, needed help. Renee did exactly what I asked, but I asked for the wrong thing. Since the chess pieces on the cover may have turned people off, I asked her to update the cover. She squeezed me in on her birthday. (thanks!) Here's the before and after for Foundation: